Artist: Daniel Mullen
Title: Rendering the Fundamentals 80x110cm Oil on Canvas
(Source: collective57, via mentalalchemy)
I acquire no understanding of myself except as I take account of objects, of the surroundings. I do not think unless I think of things—therefore on finding myself I always find a world confronting me. Insofar as subjectivity and thought are concerned, I find myself as a dual fact whose other part is the world. Therefore the basic and undeniable fact is not my existence, but my coexistence with the world.
Though, after all, everyone does do that; people do pride themselves on their diseases, and I do, may be, more than anyone. We will not dispute it; my contention was absurd. But yet I am firmly persuaded that a great deal of consciousness, every sort of consciousness, in fact, is a disease. I stick to that. Let us leave that, too, for a minute. Tell me this: why does it happen that at the very, yes, at the very moments when I am most capable of feeling every refinement of all that is “sublime and beautiful,” as they used to say at one time, it would, as though of design, happen to me not only to feel but to do such ugly things, such that … Well, in short, actions that all, perhaps, commit; but which, as though purposely, occurred to me at the very time when I was most conscious that they ought not to be committed. The more conscious I was of goodness and of all that was “sublime and beautiful,” the more deeply I sank into my mire and the more ready I was to sink in it altogether. But the chief point was that all this was, as it were, not accidental in me, but as though it were bound to be so. It was as though it were my most normal condition, and not in the least disease or depravity, so that at last all desire in me to struggle against this depravity passed. It ended by my almost believing (perhaps actually believing) that this was perhaps my normal condition. But at first, in the beginning, what agonies I endured in that struggle! I did not believe it was the same with other people, and all my life I hid this fact about myself as a secret. I was ashamed (even now, perhaps, I am ashamed): I got to the point of feeling a sort of secret abnormal, despicable enjoyment in returning home to my corner on some disgusting Petersburg night, acutely conscious that that day I had committed a loathsome action again, that what was done could never be undone, and secretly, inwardly gnawing, gnawing at myself for it, tearing and consuming myself till at last the bitterness turned into a sort of shameful accursed sweetness, and at last—into positive real enjoyment! Yes, into enjoyment, into enjoyment! I insist upon that. I have spoken of this because I keep wanting to know for a fact whether other people feel such enjoyment? I will explain; the enjoyment was just from the too intense consciousness of one’s own degradation; it was from feeling oneself that one had reached the last barrier, that it was horrible, but that it could not be otherwise; that there was no escape for you; that you never could become a different man; that even if time and faith were still left you to change into something different you would most likely not wish to change; or if you did wish to, even then you would do nothing; because perhaps in reality there was nothing for you to change into.
Le joli mai (Chris Marker, 1963)
(Source: nightcricket, via quiltra)
How many more nights and weird mornings can this terrible shit go on? How long can the body and the brain tolerate this doom-struck craziness? This grinding of teeth, this pouring of sweat, this pounding of blood in the temples … small blue veins gone amok in front of ears, sixty and seventy hours with no sleep… .
Hunter S. Thompson - Fear and Loathing in Las Vegas
u have a girlfriend? Do u like someone?
Sadly, no. But now I have a boyfriend. His name is Jesus Christ, my lord and savior.
Moscow on the Hudson (Paul Mazursky, 1984)
I am a worthless, miserable, useless man. Only a man equally miserable and suffering could love or esteem me now. Good God! How I loathe myself! How bitterly I hate my voice, my hands, my thoughts, these clothes, each step I take!
Anton Chekhov, Ivanoff
I am aware of myself. And, of course, the only things that are aware of themselves and conscious of their individuality are irritated eyes, cut fingers, sore teeth. A healthy eye, finger, tooth might as well not even be there. Isn’t it clear that individual consciousness is just sickness?
Repast (Mikio Naruse, 1951)
Now, before I blow my brains out, I should like to point out that the most basic issue at the very center of this work is not biology, race, or technology; it is nihilism. Ultimately this is an experiment in nihilism. Every word, every thought, and every emotion come back to one core problem: life is meaningless. The experiment in nihilism is to seek out and expose every illusion and every myth, whatever it may lead, no matter what, even if it kills us.
The Thin Red Line / 1998 / Terrence Malick
(Source: perfectframes, via shamefullyinspired)